Malawi’s hip-hop community has gained momentum thanks to IKK’s ‘Ma Bars Pa Bar’ freestyle on Mikozi. In this session, he candidly dissed Toast and Slessor while also warning Hyphen, sparking heated debates among fans.
On Monday, IKK’s freestyle surfaced, showcasing him in hip-hop fashion with an array of lavish neck chains, earrings, and a flat cap.
The presence of a Grants whiskey bottle bolstered his confidence, emphasizing his defiant attitude, like a lion ready to roar in the jungle.
As the session unfolded, IKK kicked things off by referring to his rivals as “bathless,” setting the tone for what was to come.
At just 21 seconds into his 2:09-minute freestyle, IKK directed a jab at Slessor, a hip-hop artist who balances his music career by working at a bank in Malawi.
IKK frequently pointed out that while he visits the bank for cash withdrawals, Slessor is busy praising his seniors, highlighting a perceived disparity in their lifestyles.
IKK, who calls himself ‘The Biggest,’ took it a step further by mocking Slessor’s body shape.
He aimed his shots at Toast as well, highlighting that Toast depended on a vehicle loan that took him two years to repay, a detail that added fuel to the fire.
Additionally, IKK remarked that Toast’s tattoos serve to disguise “eczema” (known as Zikanga in the local language), a skin health issue used as another point of ridicule.
Recently gaining traction, Hyphen released ‘Tiziti Mwayiwala,’ a track many believe is directed at IKK.
Despite being warned, he acknowledged his return to the game, intensifying the rivalry.
Before these jabs, Hyphen contributed his vocals to IKK’s remix of ‘Ndabweranso,’ leaving fans puzzled about the diss between them.
This ongoing feud has stirred tensions within the community, largely fueled by IKK’s fearless remarks on social media.
He boldly proclaimed himself the true representative of hip-hop, claiming that he revived the genre in Malawi after years of struggle, a statement that rubbed many artists the wrong way.
IKK emphasized that hip-hop is more than just music; it’s a culture centered around enthusiasm and flaunting a lavish lifestyle.
However, in one of his appearances on Podcast Malawi, C Scripture, a devoted hip-hop artist, described hip-hop as a reflection of the negative effects of post-industrial decline, political discourse, and a rapidly changing economy.
This perspective stands in stark contrast to IKK’s claims, adding yet another layer to the ongoing discussion.
