Sapesa goes to Parliament, Fredokiss  takes hip-hop from the ghetto to Parliament

Penjani Kalua, better known as Fredokiss, 39, has made history in Malawi by becoming the first hip-hop artist to secure a parliamentary seat. His achievement represents significant opportunities for youth to attain prestigious leadership roles, effectively dismantling retrogressive stereotypes.

Despite facing criticism from parents and senior citizens regarding hip-hop’s explicit and defiant content, often rooted in American culture and perceived as incompatible with Malawian values, the genre continues to resonate powerfully with the youth.

This vibrant art form has become a voice for a generation, reflecting their aspirations, struggles, and dreams, and fostering a sense of identity and belonging among young people in Malawi.

Like a spark of inspiration, Fredokiss, who sometimes refers to himself as “Sapesa” due to his stylish uncombed hair, previously failed to secure a seat five years ago in the Blantyre City South Constituency, now known as Soche-Zingwangwa.

He won this election under the banner of the United Transformation Movement (UTM), led by Dalitso Kabambe, who came third in the recent presidential race.

The “Malamulo Khumi Amu Ghetto” star shares a close camaraderie with the renowned controversial Malawian-American based hip-hop artist Jolly Bro (JB) and passionately advocates for Malawi to embrace the industrial revolution among the youth, as highlighted in various interviews and advocacy efforts.

In a recent conversation with Get to Know About online magazine in 2023, Fredokiss emphasized that his achievements stem from “knowing God,” reflecting on his experiences of learning from mistakes and seeking positivity in adversity. He believes that adversity is like a stepping stone, helping him rise higher.

Prior to this, he took on the role of brand ambassador for UNICEF and NBS Bank, contributing to their outreach efforts.

Moreover, other non-hip-hop artists, such as Skeffa Chimoto and Kendal Kamwendo, also secured parliamentary seats in the general elections held on September 16, 2025.

In conclusion, while public perception of hip-hop and reggae followers in Malawi may often be viewed with a critical eye, the evolving landscape suggests that change is on the horizon.

 As the youth continue to embrace these genres, they challenge outdated stereotypes and pave the way for a more inclusive cultural narrative.